Baroque Period Research Paper Example | Topics and Well Written Essays - 1250 words

Baroque Period - Research Paper Example Clamor worked in Kothen as a court musician and an organist in Celle. He became ducal chamber musician in Hanover from the year 1666 (Walter, Murray, and Simon, 2001). Clamor Heinrich Abel made a series of compositions and musical guidebooks between the year 1694 and 1696 when he was Obermusicus in Bremen. His best works of music include various compositions for chamber music and string orchestra. Clamor composed a collection of fifty-nine individual works under the heading Erstlinge musikalischer Blumen, which included works for four instruments, allemandes, preludes, sonatinas, courantes and sarabandas. Initially, Clamor’s musical works were published in three separate volumes, and later they were combined into Drei Opera musica (Walter, Murray, and Simon, 2001). Clamor is considered the inspirer of violist and violinist Ferdinand Abel Christian and Carl Friedrich and Leopold August, who were both viol virtuoso and composer. Johan was a minor German Baroque composer. He was a violinist in 1934 and travelling to several countries including England, Italy, and France to perform and train violinists. Johan became a Kapellmeister in Nuremberg in the year 1746. He was in charge of music making in chapels, choirs, and orchestras. As a Kapellmeister, Johan wrote occasional vocal works and several harpsichord concertos, sonatas and symphonies. Johan’s symphonies contained two to three episodes or movements featuring sonata principles. Harpsichord concertos were musical instruments played by means of a keyboard. Most of his works were published and sold in various markets where other musicians used them as guides for their music endeavors (Agrell, 2011). Johan was a fluent Baroque composer in the gallant style of North German during his time; he was also a widely accepted musician and conductor. Johan’s contribution to musical landscape is evidenced by the composition of twenty-two symphonies that gained popularity in the music industry and among trainers and trainees. Johannes Nucius Johannes Nucius was a Germany composer of the late Renaissance and early Baroque period. Nucius was a talented composer who penned an influential treatise in applying rhetoric in compositional devices; his works of art shows an influence of Lassus. Among his publications, include two collections of motets, which contained a total of one hundred and two pieces, and several masses (Lambert, 2004). The works of Nucius that were published in Leibnitz and Prague were homophonic with an abundance of expressive devices; he later described the application as Musices poeticae in his major treatise. Nucius’ fame that lasted until the 18th century arose from the Musices poeticae. This treatise was the most influential among the three of the famous German Baroque treatises such as the Syntagma musicum (1618), Critica musica (1722-1723) and Musicalisches Lexicon (1732)